PIANO SCALES
On this free piano lesson on piano scales, we will be using the key of C in our examples. Transpose all of these scales in twelve tonal centers (twelve keys).
C MAJOR SCALE

Notice that a major piano scale has 5 whole steps (C to D, D to E, F to G, G to A, and A to B) and 2 half steps (E to F or 3 to 4 and B to C or 7 to 1 or Root). This is the characteristic of every major chord in music. Take time to study the major scale and transpose into 12 keys using this formula:
WS - WS - HS - WS - WS - WS - HS
wherein:
WS - whole step
HS - half step
TECHNICAL TERMS FOR THE DEGREES OF THE MAJOR SCALE
| DEGREE OF SCALE |
TECHNICAL TERM |
| 8 |
tonic |
| 7 |
leading tone |
| 6 |
submediant |
| 5 |
dominant |
| 4 |
subdominant |
| 3 |
mediant |
| 2 |
supertonic |
| 1 |
tonic |
MINOR SCALE (key of C)
There are three types of minor scale - the harmonic, melodic and the natural minor.
HARMONIC MINOR
C D Eb F G Ab B C
MELODIC MINOR
C D Eb F G A B C (ascending), C Bb Ab G F Eb D C (descending)
NATURAL MINOR
C D Eb F G Ab Bb C
MODES OF THE C MAJOR SCALE
| CHORD |
SYMBOL |
MODE |
NOTES |
FORMULA |
| I |
CMaj7 |
Ionian |
C To C |
1 2 3 4 5 6 7 |
| II |
Dm7 |
Dorian |
D To D |
1 2 b3 4 5 6 b7 |
| III |
Em7 |
Phrygian |
E To E |
1 b2 b3 4 5 b6 b7 |
| IV |
FMaj7#11 |
Lydian |
F To F |
1 2 3 #4 5 6 7 |
| V |
G7 |
Mixolydian |
G To G |
1 2 3 4 5 6 b7 |
| VI |
Am7 |
Aeolean |
A To A |
1 2 b3 4 5 b6 b7 |
| VII |
Bm7b5 |
Locrian |
B To B |
1 b2 b3 4 b5 b6 b7 |
MODES OF THE C MAJOR SCALE WITH C AS THE ROOT
| MODE |
RELATIVE MAJOR |
ALTERED TONES |
| C Ionian |
C Major |
none |
| C Dorian |
Bb Major |
b3, b7 |
| C Phrygian |
Ab Major |
b2, b3, b6, b7 |
| C Lydian |
G Major |
#4 |
| C Mixolydian |
F Major |
b7 |
| C Aeolean |
Eb Major |
b3, b6, b7 |
| C Locrian |
Db Major |
b2, b3, b5, b6, b7 |
OTHER PIANO SCALES:
Here are the other piano scales (from Jamey Aebersold):
| CHORD SYMBOL |
SCALE NAME |
W.S. & H.S. FORMULA |
SCALE IN KEY OF C |
| C |
Major |
W W H W W W H |
C D E F G A B C |
| C7 |
Dominant 7th |
W W H W W H W |
C D E F G A Bb C |
| Cm7 |
Minor |
W H W W W H W |
C D Eb F G A Bb C |
| Cm7b5 |
Half diminished (locrian) |
H W W H W W W |
C Db Eb F Gb Ab Bb C |
| Cdim7 |
Diminished |
W H W H W H W H |
C D Eb F Gb Ab A B C |
MAJOR SCALE CHOICES
| CMaj#4 |
Lydian |
W W W H W W H |
C D E F# G A B C |
| CMaj |
Bebop Scale |
W W H W H H W H |
C D E F G G# A B C |
| CMajb6 |
Harmonic Major |
W W H W H -3 H |
C D E F G Ab B C |
| CMaj#5,#4 |
Lydian Augmented |
W W W W H W H |
C D E F# G# A B C |
| C |
Augmented |
-3 H -3 H -3 H |
C D# E G Ab B C |
| C |
6th Mode of Harmonic Minor |
-3 H W H W W H |
C D# E F# G A B C |
| C |
Diminished (H-W) |
H W H W H W H W |
C Db D# E F# G A Bb C |
| C |
Blues Scale |
-3 W H H -3 W |
C Eb F F# G Bb C |
| C |
Major Pentatonic |
W W -3 W -3 |
C D E G A C |
DOMINANT 7TH SCALE CHOICES
| C7 |
Bebop Scale |
W W H W W H H H |
C D E F G A Bb B C |
| C7b9 |
Spanish or Jewish |
H -3 H W H W W |
C Db E F G Ab Bb C |
| C7#4 |
Lydian Dominant |
W W W H W H W |
C D E F# G A Bb C |
| C7b6 |
Hindu |
W W H W H W W |
C D E F G Ab Bb C |
| C7+(#5,#4) |
Whole Tone (6 tone scale) |
W W W W W W |
C D E F# G# Bb C |
| C7b9(#9,#4) |
Diminished (begin with HS |
H W H W H W H W |
C Db D# E F# G A Bb C |
| C7#9(b9,#4,#5) |
Diminished Whole Tone |
H W H W W W W |
C Db D# E F# G# Bb C C |
| C7 |
Blues Scale |
-3 W H H -3 W |
C Eb F F# G Bb C |
| C7 |
Major Pentatonic |
W W -3 W -3 |
C D E G A C |
DOMINANT 7TH SUSPENDED 4TH SCALE CHOICES
| C7sus4 |
Dom 7th scale |
W -3 W W H W |
C D F G A Bb C |
| C7sus4 |
Maj pentatonic built on b7 |
W W -3 W -3 |
Bb C D F G Bb |
| C7sus4 |
Bebop scale |
W W H W W H H W |
C D E F G A Bb B C |
MINOR SCALE CHOICES
| Cm7 |
Minor (dorian) |
W H W W W H W |
C D Eb F G A Bb C |
| Cm7 |
Bebop Scale |
W H H H W W H W |
C D Eb E F G A Bb C |
| Cm7+Maj7 |
Melodic minor (ascending) |
W H W W W W H |
C D Eb F G A B C |
| Cm7 |
Bebop minor |
W H W W H H W H |
C D Eb F G G# A B C |
| Cm7 |
Blues scale |
-3 W H H -3 W |
C Eb F F# G Bb C |
| Cm7 |
Minor Pentatonic |
-3 W W -3 W |
C Eb F G Bb C |
| Cm7(b6,Maj7) |
Harmonic Minor |
W H W W H -3 H |
C D Eb F G Ab B C |
| Cm7 |
Diminished (begin w/ W.S.) |
H W H W W W W |
C D Eb F F# G# A B C |
| Cm7 |
Phrygian |
H W W W H W W |
C Db Eb F G Ab Bb C |
| Cm or Cm b6 |
Natural Minor |
W H W W H W W |
C D Eb F G Ab Bb C |
HALF DIMINISHED SCALE CHOICES
| Cm7b5 |
Half Diminished (locrian) |
H W W H W W W |
C Db Eb F Gb Ab Bb C |
| Cm7b5 (#2) |
Half Dim #2 (locrian #2) |
W H W H W W W |
C D Eb F Gb Ab Bb C |
| Cm7b5 |
Bebop Scale |
H W W H H H W W |
C Db Eb F Gb G Ab Bb C |
DIMINISHED SCALE CHOICES
| Cdim |
Diminished (8 tone scale) |
W H W H W H W H |
C D Eb F Gb Ab A B C |
WS - whole step
HS - half step
-3 - three half steps
CHROMATIC SCALE - sequence of notes each step moving half step at a time (C,C#/Db,D,D#/Eb,E,F,F#/Gb,G,G#/Ab,A,A#/Bb,B then C again an octave (eight notes) higher than the first C, and the cycle keeps repeating. We can write the sequence formula as: H H H H H H H etc., to represent the interval between the notes.
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